Strange continuity
Strange continuity
6/5/2015
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summary
This article delves into the phenomenon of movie cuts and why our brains do not find them jarring or confusing. It explores how our brains seamlessly integrate individual shots into a coherent narrative and discusses the concept of continuity editing. The article explains that our brains have learned to interpret movie cuts as a natural progression of time and space, allowing us to focus on the story being told. It also delves into the psychology behind our perception of movie cuts, highlighting the role of cognition and visual processing. Overall, the article provides insights into why our brains can handle the rapid succession of shots in movies without experiencing confusion or disorientation.
tags
film editing ꞏ cognitive processing ꞏ attention ꞏ perceptual continuity ꞏ visual perception ꞏ film theory ꞏ psychology of film ꞏ brain response ꞏ sensory perception ꞏ film aesthetics ꞏ film narrative ꞏ film analysis ꞏ film studies ꞏ visual storytelling ꞏ film techniques ꞏ film perception ꞏ film cognition ꞏ film experience ꞏ film psychology ꞏ visual continuity ꞏ film editing techniques ꞏ film montage ꞏ film cuts ꞏ cognitive load ꞏ cinema studies ꞏ film immersion ꞏ visual processing ꞏ cinema perception ꞏ cognitive neuroscience ꞏ film editing psychology ꞏ film editing theory ꞏ film editing effects ꞏ visual cognition ꞏ perceptual phenomenon ꞏ film production ꞏ cognitive psychology ꞏ storytelling techniques ꞏ emotion in film ꞏ perception of time ꞏ attentional processes ꞏ cognitive perspective ꞏ visual attention ꞏ perception of motion ꞏ perception of the self ꞏ attentional mechanisms ꞏ perception of change ꞏ cinema aesthetics ꞏ perception and reality ꞏ cinema philosophy ꞏ cinematic experience ꞏ emotional response ꞏ film appreciation ꞏ cinematic techniques ꞏ perception and cognition ꞏ film editing styles ꞏ audience perception